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OnourfirstfulldayinStockholm,forinstance,weleftthecityforArtipelag[1],anartscenteronanislandintheStockholmarchipelago,createdbythefounderoftheBabyBjornbabycarriercompany.There,inashowdevotedtoartfromthearchipelago,wediscoveredtheworkofPrinsEugen,amemberoftheSwedishroyalfamilywho,inthelate19thandearly20thcenturies,wasatthecenteroftheartisticfomentthere.Thenextday,backinStockholm,wevisitedhishouseonDjurgarden,alovelyandquitemodestplace,whereourstrollthroughhisflowergardenwaspunctuatedbyscreams...
On our first full day in Stockholm, for instance, we left the city for Artipelag[1], an arts center on an island in the Stockholm archipelago, created by the founder of the Baby Bjorn baby carrier company. There, in a show devoted to art from the archipelago, we discovered the work of Prins Eugen, a member of the Swedish royal family who, in the late 19th and early 20th centuries, was at the center of the artistic foment there. The next day, back in Stockholm, we visited his house on Djurgarden, a lovely and quite modest place, where our stroll through his flower garden was punctuated by screams from the Fritt Fall ride at the nearby Tivoli Grona Lund amusement park.
Later, my husband and I took a boat to Drottningholm[2], the Swedish Royal palace, an enormous pile of a place with acres of formal gardens surrounding it. It was hard to imagine the modest watercolorist Prins Eugen in its gilded halls.