關於會展 | 台北當代藝術展
PeckhambeganhiscareerwithLongMarchSpaceandthenBoers-LiGalleryinBeijing,andoverthelastfifteenyearshashonedhisskillsasacurator,writer,editor,andinstitutionalleaderinGreaterChina.Between2014and2018,PeckhamservedasEditor-in-ChiefofLEAP,thebi-lingualinternationalartmagazine.Asanindependentcurator,Peckhamhasorganizedinternationallyrecognizedexhibitions,mostnotably“ArtPost-Internet,”thefirstinstitutionalhistoricalsurveyofthatcontroversialidea,whichheco-curatedwithKarenArcheyforUllensCenterforContem...
Peckham began his career with Long March Space and then Boers-Li Gallery in Beijing, and over the last fifteen years has honed his skills as a curator, writer, editor, and institutional leader in Greater China. Between 2014 and 2018, Peckham served as Editor-in-Chief of LEAP, the bi-lingual international art magazine. As an independent curator, Peckham has organized internationally recognized exhibitions, most notably “Art Post-Internet,” the first institutional historical survey of that controversial idea, which he co-curated with Karen Archey for Ullens Center for Contemporary Art in Beijing in 2014; “Full of Painting and Weirdness: Painting as a Universalism,” produced for M Woods Museum in 2015, as well as “The Shanghai Gesture/ Our Real Your Surreal: Dali and Chinese Contemporary Art,” for K11 Art Foundation in 2015. Peckham has also served as a jury-member for the Hugo Boss Asia Art Award in 2015, and he was included on Apollo Magazine’s 2016 “Thinkers” list.